Looky-loo is a film that definitely won’t be for everyone.
Synopsis
An aspiring filmmaker stalks women with his camera. His crimes escalate from voyeurism to murder as he becomes obsessed with a woman named Courtney, making her the star of his deranged film.
My Thoughts
Good Points
The Opening Works
The beginning of the film is very calm and quiet, almost too safe, and those wide shots of the little town lull you in before things start shifting.
First-Person Uncomfortableness
It’s not just what he does to others that’s disturbing, it’s how you are being dragged into his private world, seeing things from his perspective kinda makes you complicit, and it works.
Slow Pacing That Builds
Looky-loo is certainly not a fast film, but the pacing makes you to sit with him, by his side. You don’t get constant action, but you get this routine that feels like you’re becoming part of his cycle.
The Repetition Feels Intentional
You watch him do the same things – walk, test doors, film silence. It sounds boring, and for many it will be boring, but again, it puts you in his headspace, which is the whole point.
Influences Show, But Don’t Overpower
There’s DNA of The Poughkeepsie Tapes, but it never leans into shock for cheapness. It’s closer to older Hitchcock and more suspense driven – more about atmosphere than spectacle.
Killer Isn’t Romanticized
This is a huge win, as so many modern shows make serial killers into tragic, misunderstood geniuses. Here, he’s just a predator. Empty, routine, unremarkable except for the horror he causes.
Performances Through Small Details
Looky-loo doesn’t monologue or overact. It’s the shaky hand, the nervous pause, the little gasps that do all the work. Those micro details are where the tension lives.
Tagline Delivers
“You’ll Never Feel Safe at Home Again” isn’t just a line, as it sticks because the fear is already too real in everyday life.
Realism Hits Harder Than Gore
There’s not much blood, and no big splatter moments, but that doesn’t matter. The realism of women targeted, lives ended, and him moving on coldly hits you way harder than buckets of gore or cheap jump scares.
Sound and Cinematography
Stillness, silence, and tiny noises carry this film, and while it’s minimal, it still has a way of getting to you that’s different to a cheap jump scare.
Bad Points
Slow Pace
The pacing is very slow and deliberate, and there are stretches where nothing new happens, and it will test a lot of peoples patience. It’s not going to be for everyone, that’s for sure.
Story Isn’t New
It’s just another “stalker turned killer” setup. It’s been done before, and the film doesn’t reinvent anything new.
Thin Character Work
Because we’re locked into his perspective, nobody else gets much depth. Victims are basically faceless, which keeps the realism but limits any emotional connection.
Few Payoffs
You sit through a lot of buildup, and while the atmosphere is strong, some people will feel short-changed by the lack of big moments.
Can Feel Stretched
At just over 80 minutes, it’s not long, but it sometimes feels longer than it should. A tighter cut might have helped.
Niche Appeal
If you’re not into slow-burn or observational horror, this isn’t for you. It’s not trying to reach a broad audience, as as said, it won’t be for everyone.
Is Looky-loo Worth Watching?
Looky-loo is a hard film to recommend to someone, as while I got something out of it, a lot of people will be bored quite quickly by it.
It’s a small, unnerving film that sticks by doing less, by making you feel the everyday dread of someone out there watching and waiting.
If you’re not locked into this type of film, you will probably hate it.
But I found it a bit uncomfortable in the right way – nothing amazing, but I don’t regret watching it.

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